8/10/2023 0 Comments Drag queen makeup peachIt is the only time her outfit changes during her Motomami set. Rosalía performing “De Plata,” from her first album, Los Ángeles, in a long ruffled flamenco skirt, attached to her outfit by backup dancers. There were still some nods to flamenco, too when she performed “De Plata,” a song from her more traditional first album, Los Ángeles, a group of dancers clipped the train of an enormous black flamenco dress to her skirt. “The Motomami aesthetic felt like it had a total grip on the world during Rosalía’s tour,” Lee says. A fan favorite was a deep blue bodysuit with bulky black shoulder pads and a pleated schoolgirl skirt with two belts fastened at her hips. In New York she appeared at Radio City Music Hall in a white cutout bodysuit worn under a cropped leather motorcycle jacket with enormous shoulders and a matching miniskirt, the contrasting leather white and black details evoking the image of butterfly wings. When I saw one of Rosalía’s first Motomami World Tour shows in Sevilla, Spain, she wore a simple asymmetrical white dress cut high on one side and tall red moto boots. Ultimately, he created 10 complete looks in different colorways, all cycled through for different cities. However, designing for a world tour was a completely different experience,” Dion Lee says of the custom sets he created for Rosalía’s Motomami World Tour. “I love contemporary dance and have collaborated with choreographers in the past. “My mom is the OG motomami,” she often says when asked about the album title. When asked-by both Billboard and Jimmy Fallon-to define what exactly motomami means, Rosalía answered simply: “It’s an energy.” The term originated from a friend’s old email address, but resonated because when the singer was a child in the industrial Spanish town of Sant Cugat del Vallès, she would ride around on the back of her mom’s motorcycles. With the new album came another visual transformation that didn’t necessarily feel like a revamp, but was a slight shift away from her more literal “not your abuela’s flamenco” reinterpretation of the genre. Rosalía doubled down on her reputation as a metamorphosing sonic collagist with songs like “Hentai,” an erotic ballad whose lyrics “ Te quiero ride / Como a mi bike” (“I want to ride you like my bike”) sound achingly beautiful because they’re raw and palpable and maybe something you’d actually say. On her Motomami World Tour tour, Rosalía wore a custom Dion Lee motorcycle set with platform knee-high boots and oversize sunglasses. which recalled the fiery intensity of a traje de flamenca but was built for the streets of New York. When I saw her sold-out show at Webster Hall in early 2019, she wore a patent red two-piece set from I.Am.Gia. Her performance wardrobe for the tour followed the same formula. The album was inspired by the anonymous 13th-century Occitan novel Flamenca, about a woman imprisoned by her husband, and in the accompanying music videos, she wore elements from a typical flamenco costume-the color red, engulfing ruffles, large gold sevillana earrings-modernized through nontraditional styling with those chunky sneakers, velour tracksuits, and long acrylic nails that she snapped together with a flick of her wrist, as one would a castanet. In 2018, when Rosalía released El Mal Querer, the critically acclaimed second album that turned her from a flamenco prodigy into a global superstar, her wardrobe was entrenched in her roots. Rosalía at New York City’s Webster Hall in 2019, wearing a I.Am.Gia patent set in a deep fiery red, the preferred color of flamenco performers Taylor Hill Even as she raps about the metamorphosis of butterflies and drag queen makeup in “Saoko,” from her 2022 concept album, Motomami, she still says that ultimately, “ Yo soy muy mía” (“I’m very much me”). Her wardrobe has always transmitted the unwavering confidence of someone who knows who they are. It’s the totality of her vision, fully realized through what she wears. And it’s the fit of ruffles, the oversize Rick Owens shield sunglasses, the boots she can somehow dance in for over an hour. It’s her makeup, wiped off completely with a towel mid-performance so when she brings herself to tears later-as she often does-you can really see her duende in the wetness of her lashes and the redness of her cheeks. It’s her contradicting choreography of fierce floreos and teasing twerks. It’s her velvet voice, hypnotic and classically trained. Rosalía’s set reminded everyone why she is a once-in-a-generation talent. Rosalía performing at Coachella in Rick Owens shield sunglasses and a custom cascade of sheer pink ruffles by Acne Studios Frazer Harrison
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